News

Mill Mountain Theatre is an organization committed to welcoming all people into our theatre home, into our community and becoming a family.

To our African American colleagues especially, we grieve with you and are outraged with you at what we have all witnessed in the killing of George Floyd. We stand beside you and pledge to work with you for racial equality and racial justice.

We must give space for these hard conversations and necessary change to take place with passion and grace.⁣⁣

We must give space to hear and listen to each other with passion and grace.

We must give space to the healing capacity and support each other with passion and grace.

We must take our share of responsibility for what is happening to our world. We have the ability to reshape and make change. We too must do the work.

While performing arts communities across our nation are currently forced to take an intermission in our operations and programming, it gives us the gift of time to focus on our responsibility for change and to come back better and stronger. We must do this for each other, for everyone.

We will continue with our commitment to Equity, Diversity, and Inclusion on the Board Level, Staff Level, Educational Level, in our programming, and with all of our Artists. 

We accept the responsibility and charge ourselves to push the bar with the following:

• We pledge that equity, diversity, and inclusion will be even greater priorities in our artistic work, education programs, and employment practices, and in our conversations with artists, partners and donors. 
• We pledge to support and stand with our Black colleagues, staff, artists, educators, students, and audiences, and we will hear and listen to their stories and perspectives.
• We pledge to have these conversations and continually give space for them to happen.
• We pledge to start the healing with the work toward racial justice and to provide the necessary support.

We are Mill Mountain Theatre.

We see you.

We hear you.

We are here for you.

We are in this together.

Black lives matter.

Ginger Poole,
Producing Artistic Director

Mill Mountain Theatre Conservatory is proud to present its 2020 Virtual Summer Camp Series running June 15 – July 17. Camps provide burgeoning artists of all ages the opportunity to hone their creative skills in acting, singing, dancing, and music theatre disciplines at the only equity professional theatre in the valley. 

Camps are virtual sessions which offer students Pre K through 12 a variety of ways to explore their creativity and self-expression. All classes are taught by working theatre artists. Get a chance to flex your collaboration muscle and put on a show with a variety of different styled courses. Need-based scholarships are available on request: email travis@nullmillmountain.org for more information.

“The safety and well-being of our students and families is a priority for Mill Mountain Theatre.” says Ginger Poole, MMT Producing Artistic Director. “We are excited for the opportunity to bring these virtual camps to those who may not have been able to participate in camps in the past.” Please note the original summer camp schedule has changed to accommodate virtual camps. 

For more information, and the weekly schedule visit millmountain.org/class

2020 VIRTUAL SUMMER CAMPS:

• Pre K – 1 Theatre Camp: Peter & Wendy in Neverland 
• K-2 Theatre Camp: Hogwarts at Home
• Elementary Theatre Camp: Hogwarts at Home
• K-2 Music Theatre:  Frozen – Into the Unknown! 
• Elementary Music Theatre:  Frozen – Into the Unknown!
• Middle & High School: Acting & Sketch Comedy
• Middle & High School: High School Musical Jr.

For more information, and the weekly schedule visit millmountain.org/class

Broadway Star: Donald Jones Jr. (Frozen, Aladdin, Chicago) directs and choreographs Mill Mountain Theatre’s upcoming Spring Musical: Dreamgirls, running March 25 – April 11 on the Trinkle MainStage. A dazzling journey through 20th-century American popular music, Dreamgirls follows the rising stardom of The Dreamettes, an all-girl Motown group from Chicago. Known for its 2006 feature film adaptation starring Jennifer Hudson, Dreamgirls is filled with show-stopping musical numbers from the genres of gospel, R&B, smooth pop, disco, and more.

 

“I’m really excited to be working with the entire team at Mill Mountain Theatre,” says Jones. “And thank you [to MMT’s Producing Artistic Director] Ginger, for your belief in my vision. It’s been 10 years since we first worked together on my first professional job outside of university, and it’s an honor to stage my first professional production with your support.” 

 

Donald Jones Jr. is a director, choreographer, and performer, originally from New Orleans. In 2009 he graduated from Louisiana’s Northwestern State University and moved to NYC in 2013, where he has consistently performed both on and off Broadway for the past 6 years. In addition to his work as a performer in Frozen, Aladdin, and Chicago, Donald has staged numbers for numerous Broadway Cares/Equity Fights AIDS variety shows, choreographed for Nick Jr.’s Blue’s Clues, and assisted with choreography for Netflix’s Unbreakable Kimmy Schmidt. 

 

“This story is just one example of how black musicians paved the way for many of the music genres that inspire America. The themes of change and self-acceptance will be expanded upon in this production to mirror the diverse and dynamic women we celebrate today,” Jones says. “I am proud to have the opportunity to inspire new and young, diverse audiences with a story of triumph through the experiences of black artists. This is not only a black history musical, it’s an American history musical. Let’s make magic!” 

 

Dreamgirls explores themes of ambition, hope, and betrayal, all set in the glamorous and competitive world of the entertainment industry. Dreamgirls has music by Academy Award nominee Henry Krieger, with book and lyrics by Tony and Grammy Award winner Tom Eyen. Songs include, “And I Am Telling You I’m Not Going,” “I Am Changing,” “One Night Only,” and “Steppin’ To The Bad Side.”

Dreamgirls is Directed & Choreographed by Donald Jones Jr., Music Directed by Seth Davis, and Production Stage Managed by Bill Muñoz*, with Scenic Design by Jimmy Ray Ward, Lighting Design by Bill Webb, Costume Design by Keith Schneider, Properties Design by Matt Shields, Sound Engineering by Savannah Woodruff, Producing Artistic Direction by Ginger Poole, and Technical Direction by Karen Gierchak. *Appears courtesy of Actors’ Equity Association.

 

Dreamgirls is sponsored by Avis Construction Co.; BB&T Wealth; BEC Enterprises, Inc.; Brandon Oaks Retirement Community; Business Solutions, Inc.; Davenport & Company; Entre Computer Center; Harry “Skip” W. Hamilton, III at Davenport & Company; Howell’s Motor Freight, Inc.; Pinnacle Financial Partners; and Roanoke Valley Orthodontics. Grantors include Actors Equity Association, Blue Star Theatres, Center in the Square, National Endowment for the Arts, Theatre Communications Group, Virginia Commission for the Arts, and WVTF Radio.

 

Dreamgirls begins performances on March 25 and runs through April 11 on the Trinkle MainStage. Tickets can be purchased online at millmountain.org or by calling the box office at 540-342-5740.

Mill Mountain Theatre Conservatory has selected the winning plays for their fourth annual Write Stuff! Young Playwrights Festival. Write Stuff! serves to connect Mill Mountain Theatre’s expanding education programming with its historical and ongoing commitment to new play development.

 

Write Stuff! Coordinator Christopher Castanho spoke to how the festival is evolving. “We could not be more excited about the growth Write Stuff! is having in its fourth year! MMT received a record-breaking number of submissions this year, so we decided to split the festival into two parts in order to give more young playwrights the opportunity to present their work. The first act of the evening will be readings of new plays, with actors at music stands, focusing on the words and diving deep into the world of the play. Our second act will consist of staged readings, with actors in costumes, holding their scripts, and beginning to put the plays on their feet.” 

 

Mill Mountain Theatre professional artists have selected six winning plays to be workshopped this year.  Three plays will receive readings and three will be produced in a staged reading format, all performed by Mill Mountain Theatre Conservatory students and directed by MMT staff. The festival will take place at 7:00pm on February 22nd, 2020 on MMT’s Waldron Stage.

 

True Love, by Gracie Ridings, shares the story of Sandy, a sixteen-year-old girl who is told by a psychic that she will meet her Aquarius true love within the current moon cycle. Will Sandy meet the man of her dreams? Her best friend Minty will stop at nothing to see Sandy carried off into the sunset! True Love will be presented in our Reading Series. Gracie Ridings is ecstatic that her play has been chosen! She is a huge theatre nerd, and loves writing in her spare time. Gracie participates in both the onstage and offstage aspects of theatre and has enjoyed writing for a few years, particularly fiction writing where she gets to be so much more creative. 

 

Okay, by Caroline Moledor, is a coming of age story, exploring the inner struggle of making friends and feeling like you belong. Follow Sam on her journey of growing up and becoming more comfortable in her own skin. Okay will be presented in our Reading Series. Caroline Moledor is a 9th grade Conservatory student who is thrilled to be participating for her 4th year as a playwright in Write Stuff! Besides writing, Caroline loves to perform and recently finished her 12th MMT credit, playing the role of Louisa von Trapp in The Sound of Music. She would like to thank Christopher Castanho and Michelle LoRicco for teaching her most everything she knows about playwriting. Love to Mom, Dad, Payton, and James.

 

Café Amor, by Serena Fick and Anna Clare Fleenor, is a hilarious and farcical tale set in Victorian era France. Forbidden romance, baguettes, and a poodle fill the Café Amor and run rampant with all of the creative characters that inhabit it. Café Amor will be presented in our Reading Series. Co-Playwright Serena Fick is thrilled to make her playwright’s debut with Mill Mountain Theatre. As a current senior at Salem High School, Serena has acted in multiple roles including Madame Le Beau in As You Like It and Madame Arcati in an upcoming production of Blithe Spirit. She is considering making “Madame” her official title. Serena plans to attend Warren Wilson College and aspires to one day eat 12 baguettes in one sitting. Co-Playwright Anna Clare Fleenor is also a senior at Salem High School, though she has always been more interested in writing and directing plays than acting in them. As well as theater, Anna Clare spends most of her time swimming competitively. She plans to attend Kenyon College next year to swim and study Environmental Studies, and, later, fall in love with a rich English man. 

 

LoveFiguratively, by Conner Hunt, explores the chaotic world of speed dating. Join James Smith, a 34 year old who enjoys fast food dinners and short runs on the treadmill, as he meets a menagerie of kooky characters. Will James find love or just continue to pick up the crazies? LoveFiguratively will be presented in our Staged Reading Series. Playwright Conner Hunt is an 8th grader at Community School in Roanoke. He runs cross country and plays soccer, basketball, and baseball. Conner lives in Troutville with his parents and little sister, Katie, and is very excited about this opportunity to work with Mill Mountain on his first play.

 

The Third Wheels, by Ava Lazar, sheds light on the rivalry between the Prom Decor Club and the RPG (role-playing-games) club at the local high school. What starts out as an initiation prank between two students blossoms into a beautiful relationship. The Third Wheels will be presented in our Staged Reading Series. Playwright Ava Lazar is a 15-year-old playwright and filmmaker from Blacksburg High School. Her films have aired nationally on C-SPAN and usually cover local history and social justice. In her spare time, Ava reads, writes, and creates anything she can. She would like to thank Mill Mountain Theatre, as well as her supportive parents and sister. 

 

Apple Apocalypse, by James Moledor, is an alternate-reality story of all apples being banned from the world. Young Mack Intosh goes on a vendetta to see that apples are reinstated, and he hopes to make his Granny Smith proud. Apple Apocalypse will be presented in our Staged Reading Series. James Moledor is an 8th grade homeschooler who is ecstatic to be back at Mill Mountain Theatre. This is his first time submitting for Write Stuff! and is thrilled to see his play performed. He enjoys writing, acting, singing, and dancing, and his most recent MMT performing credits include The Sound of Music (Friedrich), The Little Mermaid Jr. (Jetsam), and Shrek The Musical: TYA (Pinocchio). He would also like to thank his parents and sisters for all their love and support.

 

“Write Stuff! is an incredible experience for young artists to work on a new play process.  It isn’t often that young people get to be involved in brand new plays: learning how scripts change, how characters are developed, and how to work with a playwright in the room,” says Travis Kendrick, Mill Mountain Theatre’s Director of Education. “Since the program’s inception, Mill Mountain Theatre has given this experience to young playwrights, who get to see their words come to life onstage as other young actors embody the characters that they have created.  The new plays always perform to a full house, and each playwright participates in a talk-back discussion with the audience afterward,” he added.

 

Sponsors for Write Stuff! Include: Boxley Materials Co., Business Solutions, Inc., Davis H. Elliot Company Inc., The Dunkenberger-Waskey Group at Morgan Stanley,  Innovative Insurance Group, and Pinnacle Financial Partners. Grantors include: Blue Star Theatres, Center in the Square, City of Roanoke Arts Commission, City of Salem, National Endowments for the Arts, Theatre Communications Group and the Virginia Commission for the Arts.

Write Stuff! performs for one-night-only on Saturday, February 22nd at 7pm on MMT’s Waldron Stage. Tickets are only available at the door and are pay-what-you-can. Visit millmountain.org/write-stuff-2020 to learn more.

2020 SEASON AUDITIONS: NEW YORK

AUDITIONS FOR MILL MOUNTAIN THEATRE’S 2020 SEASON will be held at Pearl Studios in New York, NY:  Monday, January 27 through Thursday, January 30, 2020. Equity callbacks will be held as needed on Wednesday January 29, and non-equity callbacks will take place as needed on Friday, January 31, 2020. An accompanist is provided.

 

January 27, Pearl Studios: 

AEA Equity Principal Auditions: 9:00AM-12:00PM & 1:00PM-6:00PM 

(Lunch Break 12:00-1:00PM) 

January 28, Pearl Studios:  

AEA Equity Chorus Call: 9:30AM- Male Singers; 11:30AM – Female Singers; 2:00PM-Male Dancers; 4:00pm – Female Dancers

January 29, Pearl Studios:

Equity Callbacks BY INVITATION ONLY: 9:30AM-12:30PM

(Lunch Break 12:30-1:00PM) 

Equity Callbacks BY INVITATION ONLY:  1:00PM-3:00PM

Non-Equity Auditions BY APPOINTMENT ONLY: 3:00PM-6:00PM 

January 30, Pearl Studios:  

Non-Equity Auditions BY APPOINTMENT ONLY: 9:30AM-12:30PM & 2:00PM-6:00PM 

(Lunch Break 12:30-1:00PM) 

***Dance Call: 1:00pm-2:00pm on the day of your appointment time, if auditioning for Dreamgirls, Cabaret, and Holiday Inn.

January 31, Pearl Studios:  

Non-Equity Callbacks as needed: 10:00AM-6:00PM

 

AEA members: information about the EPA (January 27) and ECC (January 28), including relevant breakdowns, will go out through AEA.

Non-Equity: please read carefully below on how to submit for an appointment time:

If you are interested in receiving a Non-equity audition appointment, please email auditions@nullmillmountain.org with ‘NYC AUDITIONS’ in the subject line and include:

1. Headshot
2. Resume
3. Relevant reel footage
4. If you plan to prepare a Monologue, Song, or Both
5. Denote if you have local housing available (within ~30 miles of Downtown Roanoke).

*Please Note:  We are not casting for our Summer Apprentice Company in New York.  If you are a current college student or recent graduate and are interested in our Summer Apprentice Company, please attend our local auditions in Roanoke, VA, or submit a video audition to auditions@nullmillmountain.org.

 

 

PLEASE PREPARE:

A one-minute song, if auditioning for Dreamgirls, Cabaret, or Holiday Inn. We may ask to hear a one-minute monologue or contrasting one-minute song.

A one-minute monologue if auditioning for The Diary of Anne Frank or The Cake. We may ask you to read sides.

Actors of all ethnicities are encouraged to audition for all roles.

 

DREAMGIRLS

Music by Henry Krieger

Book and Lyrics by Tom Eyen

 

Directed and Choreographed by Donald Jones Jr.

Rehearsal: March 3 – 24, 2020

Previews & Performances: March 25 – April 11, 2020

 

EFFIE WHITE: Female, 20s-40s, African American, principal role. Confident and outspoken with emotional depth. Lead singer of the Dreamettes. Mezzo Soprano with powerful belt. Journeys from snappy confidence to depths of betrayal, triumphing in the end.  Seeking an actor willing to dig deep emotionally.

 

DEENA JONES: Female, 18-40s, African-American, principal role. Backup (later lead) singer for the Dreamettes, moving from innocent and modest to “star.” Mezzo.

 

LORRELL ROBINSON: Female, 18-40s, African American, Principal role. Young, energetic, and outspoken. Eager for success and a romantic at heart. Backup singer of the Dreamettes. Soprano.

 

CURTIS TAYLOR, JR.: Male, 25-45, African American, Principal role. Cadillac dealer and manager of ‘The Dreamettes’. Charming, smooth, and funny, he’s ruthless in the pursuit of his dream. Tenor/High Baritone. 

 

JAMES “THUNDER” EARLY: Male, 30s-50s, African American, Supporting role. A flashy star of early R&B soul singer, a trendsetter and showman. Seeking a Tenor with a strong falsetto. 

 

C.C.WHITE: Male, 20s-30s, African American, Supporting role. Talented song writer and Effie’s brother. Tenor. 

 

MICHELLE MORRIS: Female, 18-40, African American, Supporting role.  Backup singer, replacement for Effie. Desires to stay out of the conflict.  Mezzo Soprano. 

 

MARTY MADISON: Male, 40s-60s, African American, Supporting role. Theatrical agent for J.T. Early. He is honest and loyal. Baritone. 

 

ENSEMBLE:  Male and Female, 18-40+, African American, except Dave & The Sweethearts could be white.  Several smaller roles will be cast from this ensemble of singer-actors.

 

CABARET

Music and Lyrics by John Kander & Fred Ebb 

Book by Joe Masteroff

 

Directed and Choreographed by Kristen Brooks Sandler

Rehearsals: (Non Eq start on May 25 / Equity start June 1) – June 24, 2020

Previews & Performances: June 25 – July 5, 2020

 

EMCEE: The host and Master of Ceremonies at the Kit Kat Klub. Gender-fluid and comfortable with being close to both men and women. Comedic, loveable, sinister. Requires agile stage movement and dance ability. Age range and appearance are flexible. Speaks with a German accent. Tenor (Middle C to High C#).

 

SALLY BOWLES: (20s-30s) A British Cabaret singer at the Kit Kat Klub. A quirky character that comes across as flighty, yet at times struggles with knowing the darkness of the reality of her life as a cabaret performer. Seeking compelling performer who is a strong actor, singer, and dancer. Speaks with a British Accent. Soprano with a belt (Low A to High C).

 

CLIFF BRADSHAW: (20s-30s) An American novelist and English teacher traveling to Berlin. Presented as a closeted gay man exploring his sexuality. Must be comfortable with stage movement and some dance. Speaks with an American accent. Tenor (Low A to High E).

 

FRAULEIN SCHNEIDER (50s+) A landlady who rents rooms in her large flat. Must be comfortable with stage movement and some dance (waltz). Speaks with a German accent. Alto (Low D to A flat above middle C).

 

HERR SCHULTZ: (50s+) One of Fraulein Schneider’s roomers and the proprietor of a Fruit Shop. Must be comfortable with stage movement and some dance. Speaks with a German accent. Tenor (Low G to High F).

 

FRAULEIN KOST: (30s-40s) Another of Fraulein Schneider’s roomers. She earns money by offering favours to sailors – presentation of the character should exhibit a strong sexual comfort and commanding nature. Comfortable with stage movement. Speaks with a German accent. Alto/Mezzo (Low A flat to High F).

 

ERNST LUDWIG: A friendly and Likeable German Sings in the Chorus. Takes English lessons from Cliff and smuggles funds for the Nazi Party. Comfortable with stage movement and some dance (waltz). Speaks with a German accent.

 

KIT KAT KLUB GIRLS: (20s-30s) Performers in the Kit Kat Club. Seeking a diverse group of women who are comfortable embracing their characters’ sexuality through movement and dance.  Seeking strong singer-actors with excellent dance skills.

 

MALE ENSEMBLE: (20s-30s) Bobby, Victor, Kit Kat Klub Waiters, Patrons, others. Seeking a diverse group of men who are comfortable embracing their characters’ sexuality through movement and dance.  Seeking strong singer-actors with excellent dance skills.

 

 

THE DIARY OF ANNE FRANK  

Book by Frances Goodrich & Albert Hackett

Adapted by Wendy Kesselman

 

Directed by Billie Aken-Tyers

Rehearsals: September 1 – 22, 2020

Previews & Performances: September 23 – October 4, 2020

 

OTTO FRANK: (50s) Anne’s father and the patriarch of the annex.  He leads with love and strength in all he does. He is practical, polite, and even-tempered, striving for peace in every situation.  At 53, he has the resilience of a younger man, but the experience of his age to recognize the reality of the world around him.

EDITH FRANK : (40s) Anne’s reserved and nervous mother.  She is soft-spoken and constantly worried about her family’s fate.  She is close with her daughter Margot, and longs for a deeper connection with Anne. Despite her quiet demeanor, she has fortitude and will make her mind known when necessary.

1. PUTTI VAN DAAN: (40s-50s) The head of the Van Daans. An irritable former business partner of Mr. Frank, he is struggling to find his place as second in command. He is intelligent, pragmatic, and harsh. While in the annex, he wants to teach his son to be more outgoing and tough. Mr Van Daan is selfish and openly critical of others, especially Anne.

MRS. PETRONELLA VAN DAAN: (40s-50s) The vain and finicky wife of Mr. Van Daan. She is not ready to give up her lifestyle, and prizes the material things of life. She clings to her fur coat like others cling to their identity. She hides her fear of the unknown by worrying about the trite and frivolous. At the center of much of the conflict in the annex.

MIEP GIES: (30s) A well-liked, kind, and generous secretary from Mr. Frank’s office. She helps to protect the families in hiding, and is their connection to the outside world. Miep keeps them informed and fed, and though worried, she is determined to protect them.  

MR KRALER: (40s) Otto Frank’s business partner.  He helps to hide the members of the annex. He never questions his obligations to help the Franks and do what is right. Dignified, and at a loss for the world around him.

 

1. JAN DUSSELLl: (50s) Difficult to get along with, he is the only one in the annex without a family.  A dentist by trade, he puts himself first. Skeptical by nature, Mr Dusselli has little patience for his roommate, Anne.

Nazi Officer and Two Dutch Collaborators (male, any age) Although these men do not come into the play until the end of the show, they are exceedingly important roles.  

 

THE CAKE 

By Bekah Brunstetter 

 

Directed by Sarah Butts

Rehearsals: October 13 – November 4, 2020

Previews & Performances: November 5 – 8, 2020

 

DELLA:  (40s-50s) North Carolinian, born and raised. A religious and socially conservative woman. Warm, pleasant, and caring; she has a maternal instinct despite not having children of her own. An old friend to Jen’s family; married to Tim.She sees herself as open-minded, but has not had the life experience to challenge the world-views with which she was brought up.  A prolific and enthusiastic baker, she has been chosen as a contestant for The Great American Baking Show.

 

JEN: (Early 30s) Born and raised in North Carolina, but lives in Brooklyn.  Is engaged to Macy. She is an experienced event planner with a compulsive attention to detail.  Considerate, kind, and enthusiastic, she always sees the best in people. Her newfound liberal lifestyle and planning her lesbian wedding brings tension to her conservative hometown.

 

MACY: (Early 30s) Black, born and raised in New York.  Jen’s fiancé; progressive, sharp, bold, and outspoken. Very confident in her belief system, she challenges those who think differently. Innately curious and inquisitive.  She is who she is, and will not make compromises to coddle people’s feelings.

 

TIM: (40s+) Della’s husband and a good ol’ boy. He is a plumber with a good work ethic, who takes pride in providing for the household. He finds comfort in his traditional values, and hasn’t had a reason to question his beliefs. He is loving and loved, though perhaps not completely in touch with his emotions.

 

HOLIDAY INN

Based on the Film from Universal Pictures

Music and Lyrics by Irving Berlin

Book by Gordon Greenberg and Chad Hodge

 

Directed by Travis Kendrick

Choreographed by Kristen Brooks Sandler

Rehearsals: November 10 – December 1, 2020

Previews & Performances:  December 2 – 20, 2020

 

JIM HARDY: (30s) Handsome, kind, sincere, and good-natured, he is a performer and singer-songwriter who is eager to leave showbiz behind for a simpler life on a farm in Connecticut.  Lyric Baritone.

 

TED HANOVER: (30s) Jim’’s best friend and performing partner; a charming flirt, he is looking for his big break. Seeking a strong dancer (in the style of Fred Astaire or Gene Kelly) who taps extremely well. Comedic role. Lyric Baritone.

 

LILA DIXON: (30s) A determined performer and Jim’’s mismatched fiancée.  She isn’t the smartest in town, but what she lacks in intelligence she makes up for with sheer determination and a love for the spotlight.  Seeking a comedic actor and strong dancer who taps. Mezzo Soprano.

 

LINDA MASON: (30s) A school teacher with the hidden talents of a singer and dancer; lovely, charming, and funny.  She is tough and distant at first, but is ultimately won over by Jim’s kindness, humor, and love of music. Mezzo Soprano with strong belt/mix.  

 

LOUISE BADGER: (40s-50s) The local “fix-it” woman; tough, no nonsense, and extremely perceptive. Seeking a strong comedic actor with a great Mezzo/Alto belt voice.

 

DANNY: (30s-50s) The energetic and sarcastic manager for the musical act of Hardy, Hanover, and Dixon. He encourages Ted and Lila to move ahead with a double act while Jim tries to set up a normal life. Danny will stop at nothing to make his clients stars.

 

ENSEMBLE: (Various ages) Seeking a diverse group of strong singer-dancers who can tap, to play various roles (Announcer, dancers, radio personalities, Hollywood creative team, Midville townspeople, and Holiday Inn guests).

2020 SEASON AUDITIONS: ROANOKE, VA

LOCAL AUDITIONS FOR MILL MOUNTAIN THEATRE’S 2020 SEASON will be held on January 24 & 25, 2020 from 9:00am – 6:00pm (The Dance Call will be held at the end of each day from 5:00-6:00pm).  

Auditions will take place at the MMT Rehearsal Studio, located at 20 Church Ave SE, Roanoke, VA 24011 on the 3rd floor. Free and metered parking is available nearby.  An accompanist will be provided.

If you are interested in auditioning, please email a headshot and resume to auditions@nullmillmountain.org with ‘ROANOKE AUDITIONS’ in the subject line.  If you have a preference of Friday 24th or Saturday 25th as your audition day, please indicate this in the body of your email. AEA members may contact auditions@nullmillmountain.org to schedule an audition appointment. EMC and non-Equity actors will be seen as time permits at these auditions.  EMC and non-Equity actors should still submit all materials to auditions@nullmillmountain.org for more information.

Non-Equity only: in the email submission, please denote if you have local housing (within ~30 miles of Downtown Roanoke) available.

***Students ages 16 and older who are interested in auditioning for ensemble roles in Cabaret and Holiday Inn should request an appointment time for these local auditions, and plan to attend the dance call. 

Mill Mountain Theatre Staff in the audition room will include: Ginger Poole (Producing Artistic Director), Travis Kendrick (Director of Education), Christopher Castanho (Resident Creative), Victoria Buck (Education Associate), and Seth Davis (Resident Music Director & Accompanist).  

 

PLEASE PREPARE:

A one-minute song if auditioning for: Dreamgirls, Cabaret, Holiday Inn, Golden Age of Broadway Concert, Crooners Concert, or the 2020 Apprentice Company*. We may ask to hear a one-minute monologue and/or contrasting one-minute song.

A one-minute monologue if auditioning for The Diary Of Anne Frank, The Cake, or the 2020 Apprentice Company*. We may ask you to read sides.

There will be a dance call from 5:00PM – 6:00PM on both audition days for all those auditioning for Dreamgirls, Cabaret, Holiday Inn, and the 2020 Apprentice Company*.

*The 2020 Apprentice Company is in residence for 12 weeks during the summer, and will have roles in Polkadots: The Cool Kids Musical (touring production), Cabaret, and Cinderella.

Actors of all ethnicities are encouraged to audition for all roles.

 

 

 

DREAMGIRLS

Music by Henry Krieger

Book and Lyrics by Tom Eyen

Directed & Choreography by Donald Jones Jr

Music Directed by Seth Davis

 

Rehearsal: March 3 – 24, 2020

Previews & Performances: March 25 – April 11, 2020

 

EFFIE WHITE: Female, 20s-40s, African American, principal role. Confident and outspoken with emotional depth. Lead singer of the Dreamettes. Mezzo Soprano with powerful belt. Journeys from snappy confidence to depths of betrayal, triumphing in the end.  Seeking an actor willing to dig deep emotionally.

 

DEENA JONES: Female, 18-40s, African-American, principal role. Backup (later lead) singer for the Dreamettes, moving from innocent and modest to “star.” Mezzo.

 

LORRELL ROBINSON: Female, 18-40s, African American, Principal role. Young, energetic, and outspoken. Eager for success and a romantic at heart. Backup singer of the Dreamettes. Soprano.

 

CURTIS TAYLOR, JR.: Male, 25-45, African American, Principal role. Cadillac dealer and manager of ‘The Dreamettes’. Charming, smooth, and funny, he’s ruthless in the pursuit of his dream. Tenor/High Baritone. 

 

JAMES “THUNDER” EARLY: Male, 30s-50s, African American, Supporting role. A flashy star of early R&B soul singer, a trendsetter and showman. Seeking a Tenor with a strong falsetto. 

 

C.C.WHITE: Male, 20s-30s, African American, Supporting role. Talented song writer and Effie’s brother. Tenor. 

 

MICHELLE MORRIS: Female, 18-40, African American, Supporting role.  Backup singer, replacement for Effie. Desires to stay out of the conflict.  Mezzo Soprano. 

 

MARTY MADISON: Male, 40s-60s, African American, Supporting role. Theatrical agent for J.T. Early. He is honest and loyal. Baritone. 

 

ENSEMBLE:  Male and Female, 18-40+, African American, except Dave & The Sweethearts could be white.  Several smaller roles will be cast from this ensemble of singer-actors.

 

 

CABARET

Music and Lyrics by John Kander & Fredd Ebb;  Book by Joe Masteroff

Directed & Choreographed by Kristen Brooks Sandler

Music Directed by Seth Davis

 

Rehearsals: (Non-Eq start on May 25 / Equity start June 1) – June 24, 2020

Previews & Performances: June 25 – July 5, 2020

 

EMCEE: The host and Master of Ceremonies at the Kit Kat Klub. Gender-fluid and comfortable with being close to both men and women. Comedic, loveable, sinister. Requires agile stage movement and dance ability. Age range and appearance are flexible. Speaks with a German accent. Tenor (Middle C to High C#).

 

SALLY BOWLES: (20s-30s) A British Cabaret singer at the Kit Kat Klub. A quirky character that comes across as flighty, yet at times struggles with knowing the darkness of the reality of her life as a cabaret performer. Seeking compelling performer who is a strong actor, singer, and dancer. Speaks with a British Accent. Soprano with a belt (Low A to High C).

 

CLIFF BRADSHAW: (20s-30s) An American novelist and English teacher traveling to Berlin. Presented as a closeted gay man exploring his sexuality. Must be comfortable with stage movement and some dance. Speaks with an American accent. Tenor (Low A to High E).

 

FRAULEIN SCHNEIDER (50s+) A landlady who rents rooms in her large flat. Must be comfortable with stage movement and some dance (waltz). Speaks with a German accent. Alto (Low D to A flat above middle C).

 

HERR SCHULTZ: (50s+) One of Fraulein Schneider’s roomers and the proprietor of a Fruit Shop. Must be comfortable with stage movement and some dance. Speaks with a German accent. Tenor (Low G to High F).

 

FRAULEIN KOST: (30s-40s) Another of Fraulein Schneider’s roomers. She earns money by offering favours to sailors – presentation of the character should exhibit a strong sexual comfort and commanding nature. Comfortable with stage movement. Speaks with a German accent. Alto/Mezzo (Low A flat to High F).

 

ERNST LUDWIG: A friendly and Likeable German Sings in the Chorus. Takes English lessons from Cliff and smuggles funds for the Nazi Party. Comfortable with stage movement and some dance (waltz). Speaks with a German accent. 

 

KIT KAT KLUB GIRLS: (20s-30s) Performers in the Kit Kat Club. Seeking a diverse group of women who are comfortable embracing their characters’ sexuality through movement and dance.  Seeking strong singer-actors with excellent dance skills.

 

MALE ENSEMBLE: (20s-30s) Bobby, Victor, Kit Kat Klub Waiters, Patrons, others. Seeking a diverse group of men who are comfortable embracing their characters’ sexuality through movement and dance.  Seeking strong singer-actors with excellent dance skills.

 

 

POLKADOTS: THE COOL KIDS MUSICAL 

Music and Lyrics by Douglas Lyons & Greg Borowsky

Book by Melvin Tunstall III

Directed & Choreographed by Christopher Castanho

Music Directed by Emma Gwin

 

Rehearsals: May 18 – 29, 2020

Performances: May 30- July 3, 2020

 

LILY POLKADOT: Female, plays 8 years old. Lily is the new kid in town – and the only one of her kind.  She is polite, talented, and extremely intelligent. Mezzo soprano.

 

PENELOPE SQUARE: Female, plays 9 years old. Overly confident, bratty, loud, and loves the limelight; the world revolves around Penelope and we just happen to be living in it.  She is the older sister to Sky Square, and is strongly against mixing Polkadot and Square people. Comedic mezzo soprano belter with soul.

 

SKY SQUARE: Male, plays 8 years old. Video games illuminate his imagination; he’s anxiously shy, friendly, quirky, and curious.  He is the younger brother to Penelope Square and an admirer of Lily Polkadot. Soulful/rock bari-tenor up to A flat.

 

MRS. SQUARE: Adult Female. Mrs. Square is a 3rd Grade teacher at Rockville Elementary, responsible for integrating Polkadots and Squares; she’s the rational disciplinarian, yet also gentle and loving. Mezzo Soprano.

 

MAMA SQUARE: Adult Female. Sky and Penelope’s mother.  Mama Square is a loud mouth, overbearing, and stuck in her ways.  Mezzo Soprano.

 

(All roles in Polka Dots: A Cool Kids Musical will be played by members of the 2020 Apprentice Company) 

 

 

THE DIARY OF ANNE FRANK  

Book by Frances Goodrich & Albert Hackett

Adapted by Wendy Kesselman

Directed by Billie Aken-Tyers

 

Rehearsals: September 1 – 22, 2020

Previews & Performances: September 23 – October 4, 2020

 

OTTO FRANK: (50s) Anne’s father and the patriarch of the annex.  He leads with love and strength in all he does. He is practical, polite, and even-tempered, striving for peace in every situation.  At 53, he has the resilience of a younger man, but the experience of his age to recognize the reality of the world around him.

 

EDITH FRANK : (40s) Anne’s reserved and nervous mother.  She is soft-spoken and constantly worried about her family’s fate.  She is close with her daughter Margot, and longs for a deeper connection with Anne. Despite her quiet demeanor, she has fortitude and will make her mind known when necessary.

 

PUTTI VAN DAAN: (40s-50s) The head of the Van Daans. An irritable former business partner of Mr. Frank, he is struggling to find his place as second in command. He is intelligent, pragmatic, and harsh. While in the annex, he wants to teach his son to be more outgoing and tough. Mr Van Daan is selfish and openly critical of others, especially Anne.

 

MRS. PETRONELLA VAN DAAN: (40s-50s) The vain and finicky wife of Mr. Van Daan. She is not ready to give up her lifestyle, and prizes the material things of life. She clings to her fur coat like others cling to their identity. She hides her fear of the unknown by worrying about the trite and frivolous. At the center of much of the conflict in the annex.

 

MIEP GIES: (30s) A well-liked, kind, and generous secretary from Mr. Frank’s office. She helps to protect the families in hiding, and is their connection to the outside world. Miep keeps them informed and fed, and though worried, she is determined to protect them.  

 

MR KRALER: (40s) Otto Frank’s business partner.  He helps to hide the members of the annex. He never questions his obligations to help the Franks and do what is right. Dignified, and at a loss for the world around him.

 

JAN DUSSELLl: (50s) Difficult to get along with, he is the only one in the annex without a family.  A dentist by trade, he puts himself first. Skeptical by nature, Mr Dusselli has little patience for his roommate, Anne.

 

NAZI OFFICER and TWO DUTCH COLLABORATORS: (male, any age) Although these men do not come into the play until the end of the show, they are exceedingly important roles.  

 

 

THE CAKE 

By Bekah Brunstetter 

Directed by Sarah Butts

 

Rehearsals: October 13 – November 4, 2020

Previews & Performances: November 5 – 8, 2020

 

DELLA:  (40s-50s) North Carolinian, born and raised. A religious and socially conservative woman. Warm, pleasant, and caring; she has a maternal instinct despite not having children of her own. An old friend to Jen’s family; married to Tim.She sees herself as open-minded, but has not had the life experience to challenge the world-views with which she was brought up.  A prolific and enthusiastic baker, she has been chosen as a contestant for The Great American Baking Show.

 

JEN: (Early 30s) Born and raised in North Carolina, but lives in Brooklyn.  Is engaged to Macy. She is an experienced event planner with a compulsive attention to detail.  Considerate, kind, and enthusiastic, she always sees the best in people. Her newfound liberal lifestyle and planning her lesbian wedding brings tension to her conservative hometown.

 

MACY: (Early 30s) Black, born and raised in New York.  Jen’s fiancé; progressive, sharp, bold, and outspoken. Very confident in her belief system, she challenges those who think differently. Innately curious and inquisitive.  She is who she is, and will not make compromises to coddle people’s feelings.

 

TIM: (40s+) Della’s husband and a good ol’ boy. He is a plumber with a good work ethic, who takes pride in providing for the household. He finds comfort in his traditional values, and hasn’t had a reason to question his beliefs. He is loving and loved, though perhaps not completely in touch with his emotions.

 

 

HOLIDAY INN

Based on the Film from Universal Pictures

Music and Lyrics by Irving Berlin

Book by Gordon Greenberg and Chad Hodge

Directed by Travis Kendrick

Choreographed by Kristen Brooks Sandler

Music Directed by Seth Davis

 

Rehearsals: November 10 – December 1, 2020

Previews & Performances:  December 2 – 20, 2020

 

JIM HARDY: (30s) Handsome, kind, sincere, and good-natured, he is a performer and singer-songwriter who is eager to leave showbiz behind for a simpler life on a farm in Connecticut.  Lyric Baritone.

 

TED HANOVER: (30s) Jim’’s best friend and performing partner; a charming flirt, he is looking for his big break. Seeking a strong dancer (in the style of Fred Astaire or Gene Kelly) who taps extremely well. Comedic role. Lyric Baritone.

 

LILA DIXON: (30s) A determined performer and Jim’’s mismatched fiancée.  She isn’t the smartest in town, but what she lacks in intelligence she makes up for with sheer determination and a love for the spotlight.  Seeking a comedic actor and strong dancer who taps. Mezzo Soprano.

 

LINDA MASON: (30s) A school teacher with the hidden talents of a singer and dancer; lovely, charming, and funny.  She is tough and distant at first, but is ultimately won over by Jim’s kindness, humor, and love of music. Mezzo Soprano with strong belt/mix.  

 

LOUISE BADGER: (40s-50s) The local “fix-it” woman; tough, no nonsense, and extremely perceptive. Seeking a strong comedic actor with a great Mezzo/Alto belt voice.

 

DANNY: (30s-50s) The energetic and sarcastic manager for the musical act of Hardy, Hanover, and Dixon. He encourages Ted and Lila to move ahead with a double act while Jim tries to set up a normal life. Danny will stop at nothing to make his clients stars.

 

ENSEMBLE: (Various Ages) Seeking a diverse group of strong singer-dancers who can tap to play various roles (Announcer, dancers, radio personalities, Hollywood creative team, Midville townspeople, and Holiday Inn guests).

2020 SEASON YOUTH AUDITIONS

AUDITIONS FOR YOUTH ROLES IN MILL MOUNTAIN THEATRE’S 2020 SEASON will be held on Friday, February 7th from 4pm-8pm, and Saturday, February 8th from 10am-3pm. 

TO REQUEST AN AUDITION TIME: email conservatoryauditions@nullmillmountain.org  with your preference of audition day and list the shows for which you are interested in auditioning.

*Some auditionees may be asked to attend callbacks from 12:30pm-6pm on Sunday February 9th.

 

CASTING FOR: 

Write Stuff! New Play Festival

Treasure Island (new musical adaptation)

Cinderella

Peter & Wendy (new adaptation)

The Diary Of Anne Frank  (roles of Anne, Margot, and Peter)

Holiday Inn  (role of Charlie Winslow)

 

LOCATION:  MMT Rehearsal Studio (20 Church Ave SE, Roanoke, VA 24011 – 3rd floor). Free and metered parking is available nearby.

 

TO REQUEST AN AUDITION TIME: Email conservatoryauditions@nullmillmountain.orgwith your preference of audition day and list the shows for which you are interested in auditioning.

 

DANCE CALL:  If auditioning for Cinderella or Treasure Island, you must also attend the dance call on your audition day (Friday, February 7th from 7:00pm-8:00pm, or Saturday, February 8th from 2:00pm-3:00pm).

 

***Students ages 16 and older who are interested in auditioning for ensemble roles in Cabaret and Holiday Inn should request an appointment time for the January Local Auditions, and plan to attend that dance call.  More information here: Local Auditions.

 

PLEASE PREPARE:

A one-minute monologue: if auditioning for Write Stuff!, Peter & Wendy, and The Diary Of Anne Frank.

A one-minute monologue AND one-minute musical theatre song: if auditioning for Cinderella and Treasure Island.  *Bring clearly marked sheet music for the accompanist.

***If auditioning for Cinderella and Treasure Island: you MUST also attend the dance call on your audition day: 

-If auditioning on Friday, February 7th, the Dance Call is from 7:00pm-8:00pm.

-If auditioning on Saturday, February 8th, the Dance Call is from 2:00pm-3:00pm.

 

Actors of all races and ethnicities are encouraged to audition for all roles.

 

 

WRITE STUFF! New Play Festival

Rehearsals February 13 – 22, 2020

Performance February 22, 2020 at 7:30pm

 

Seeking: Middle & High School performers to perform roles in three selected ten-minute plays.

 

 

Treasure Island

Original Book by Robert Louis Stevenson
Music & Lyrics by Seth Davis
Book by Christopher Castanho
Directed by Travis Kendrick

(New Musical Adaptation)

 

 

Rehearsals:  Monday through Saturday (Sundays off) from April 13 – May 1, 2020

Performances:  Saturday May 2 – Saturday May 9, 2020

 

SEEKING: A company of middle and high school performers to play the following: 

 

JEM HAWKINS: Female. The narrator of the story; a juvenile who finds a treasure map and embarks on an adventurous search for pirate treasure. Begins the story as an onlooker, and develops into an adventurous, courageous, risk-taker. 

 

“CAPTAIN” BILLY/BILLIE BONES: Male (Female Playing). A boarder at the Admiral Benbow Inn, he is blustery but kind-hearted. Billy Bones is hiding from other pirates. The first mate of Captain Flint, and has Flint’s secret treasure map.

 

DOCTOR LIVESEY: Female. The town doctor and magistrate; fair, she is intelligent, fearless, and well-organized. Doctor Livesey joins Squire Trelawney and Jem in search of pirate treasure. 

 

BLACK DOG: Male. A pirate “friend” who attacks Billy Bones at the inn.

 

SQUIRE TRELAWNEY: Male. A local wealthy hothead, Squire Trelawney finances a crew and a ship, the Hispaniola, to search for Capt. Flint’s treasure. Naive and trusting, Trelawney jumps to conclusions and miscalculates situations. Comic relief character. Blabs any secret.

 

ABIGAIL: Female. A sailor hired by Long John Silver to be crew on the Hispaniola, this is her first sea voyage. Becomes Jem’s confidant and best friend. Loyal & Brave.

 

LONG JOHN SILVER: Male. An old sea cook, Long John Silver signs on with Hispaniola crew as the cook, but is really the leader of the mutineers. A friend to Jim, Silver has a dual personality akin to Jeckyll and Hyde. Open, greedy, and merciless; has a parrot and wooden peg leg.

 

ISRAEL HANDS: Female.  A member of the bad pirates; crafty and cunning.

 

BEN GUNN: Female. A marooned sailor, Ben Gunn has been alone on Treasure Island for three years before they are found by Jim/Gem. Provides some comic relief, Gunn is agile, smart, and kind.

 

CAPTAIN SMOLLETT: Male. Hired captain of the Hispaniola, Smollett is perceptive and calculating. Not funny at all. 

 

6 ENSEMBLE:  Seeking an ensemble of versatile actors to play Townspeople, Pirates, Sailors, and others. 

 

 

CINDERELLA

Music by Richard Rodgers; Lyrics by Oscar Hammerstein II; Book by Douglas Carter Beane
Directed by Travis Kendrick
Music Directed by Seth Davis
Associate Directed by Christopher Castanho

 

Rehearsals July 6 – July 28, 2020

Performances July 29 – August 9, 2020

 

ELLA:  A young lady with the kindest heart in the kingdom. Idealistic and hopeful, Ella sees the good in everyone, despite her hardships and suffering. Charismatic, opinionated, passionate, and funny. We see her blossom into a confident woman.

 

PRINCE TOPHER:  A misguided, lost prince who longs to do something important with his life.  Though brave and heroic, he feels lonely and unfulfilled. He is thoughtful, charming, moral, genuine, and kind-hearted, but needs a bit of guidance to realize his full potential.

 

MADAME:  Ella’s wicked, selfish stepmother. A vain and tyrannical woman who is only concerned with her own daughters’ happiness. Unapologetic, dismissive and cruel; a schemer and social climber who values wealth, status, and material possessions above all else. 

 

MARIE:  Begins the show as the local beggar, then magically transforms into her true form and  becomes Ella’s Fairy Godmother. Wise, warm, otherworldly, and compassionate. A friend to Ella, she rewards Ella for her kindness by making her dreams a reality.

 

JEAN-MICHEL:  A feisty, passionate peasant determined to make a difference for the working class. He is an impetuous firebrand, but lacks authority and isn’t taken seriously as a revolutionary. He is in love with Gabrielle, despite the difference in social class.

 

GABRIELLE:  Ella’s stepsister and Madame’s daughter. Initially selfish, but soon reveals to Ella that she would give up her riches to be with Jean-Michel. Quietly passionate, empathetic, and witty.

 

CHARLOTTE:  Ella’s other stepsister and Madame’s daughter. She is brash, obnoxious, self-centered, loud, and bratty. She possesses a ridiculously high (and unfounded) opinion of herself, and never passes up the opportunity to be at the center of attention.

 

SEBASTIAN:  The kingdom’s Lord Chancellor, and Topher’s trusted advisor. He is devious and selfish, using propaganda and dishonesty to keep Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class (or anyone besides himself).

 

LORD PINKLETON:  The Lord Chancellor’s right-hand man. Announces royal balls, banquets, and even weather to the villagers.

 

ENSEMBLE:  Knights, peasants, townspeople, ladies & gentlemen of the court, servants, etc.

 

 

Peter & Wendy

By J.M. Barrie

(New Adaptation)

 

Rehearsals:  Approximately 3 times per week, from September 3 – October 10, 2020

Performances:  October 10 – 18, 2020

 

SEEKING: A company of elementary and middle school performers to play:

 

PETER PAN – A free spirited and adventurous young boy who would not grow up. He can fly, and lives on an island called Neverland. He is charismatic, full of energy, and bold.

 

WENDY – a young girl, eldest child of the Darlings; later a grown woman;  

mother-like and nurturing to her brothers and the Lost Boys

 

JOHN – Wendy’s younger brother, middle child of the three Darling children; has very few friends until they meet the Lost Boys

 

MICHAEL – Wendy’s youngest brother and third child of the Darling family; innocent and endearing, if a little mischievous 

 

THE LOST BOYS – Tootles, Nibs, Slightly, Curly, & The Twins. A group of young boys who fell out of their baby carriages and weren’t claimed by their parents. They are adventurous, energetic, and playful, and each has their own unique quirk.  

 

TINKER BELL – a fairy, and Peter’s constant companion. She is sassy, mischievous, and secretly in love with Peter.

 

CAPTAIN JAMES HOOK – The captain of the Jolly Roger and leader of the Neverland Pirates.  He is Peter Pan’s arch-enemy and is determined to get revenge on Peter for losing his hand to the crocodile. He is threatening, sinister, elegant, and cruel.

 

TIGER LILY – A proud princess. She is beautiful, strong-willed, and a loyal friend to Peter Pan.   

 

ENSEMBLE – Seeking an ensemble of versatile actors to play various roles, including: Pirates, Island Natives, the Crocodile, Mermaids, Mr. and Mrs. Darling, Nana, Liza, Jane, and others

 

 

THE DIARY OF ANNE FRANK  

Book by Frances Goodrich & Albert Hackett

Adapted by Wendy Kesselman

 

Rehearsals: September 1 – 22, 2020

Previews & Performances: September 23 – October 4, 2020

 

ANNE FRANK: (plays 13-15 years old) A lively, curious girl, full of hope, passion, and belief in the good in the world. Begins the play as innocent, precocious, and outspoken, and as she matures, becomes more introspective, imaginative, and compassionate. She does not feel close to her mother, but idolizes her father. Anne is compelled to write, documenting every moment and feeling experienced while in the annex.

MARGOT FRANK: (plays 16-18 years old) Anne’s older sister. She is reserved, respectful, and quiet like her mother. Margot is modest, intelligent, and more mature than her sister Anne, though she loves her dearly. She feels alone in the annex and longs for deeper connections with others, but is unaware of how to achieve them.

PETER VAN DAAN: (16-18) The son of Mr. and Mrs. Van Daan, Peter is a shy, quiet teen. He soon becomes a friend and confidant for Anne, and they share their first kiss together. Heart-centric and protective, he is unsure of who he is and who he desires to become if given the chance to leave the annex.

 

 

HOLIDAY INN

Based on the Film from Universal Pictures

Music and Lyrics by Irving Berlin

Book by Gordon Greenberg and Chad Hodge

 

Rehearsals: November 10 – December 1, 2020

Previews & Performances:  December 2 – 20, 2020

 

CHARLIE WINSLOW: (9-12 years old) A precocious, straight-forward, and practical young boy, though oddly charming.  He is not one to mince words. He is one of Linda’s students who works part-time as a bank messenger.  

 

 

TO REQUEST AN AUDITION TIME: Email conservatoryauditions@nullmillmountain.org with your preference of audition day and list the shows for which you are interested in auditioning.

Join us for Mill Mountain Theatre Conservatory’s Holiday Coffeehouse on Tuesday, December 10th @ 6:00pm on the Waldron Stage (20 Church Avenue SE, Roanoke, VA 24011)

It’ll be a fun night of sharing talent with family and friends. Current students and alumni are welcome to sign up to perform: ***If you’d like to participate please contact Kim Hoyle & Bayla Kessler @ khoyle34@nullgmail.com & baylakessler@nullgmail.com to submit what you’d like to sing. They will give you a time to rehearse with your accompanist. *** MMT asks that your material be no longer than 4 minutes in length.

Rehearsal with Seth Davis will be from 4:00pm-6:00pm the day of the performance.

We are continuing our holiday coffeehouse tradition of collecting art supplies for boys and girls of all ages and monetary donations from our $1 bake sale / pay-what-you-can admission for our partner: HopeTree Family Services: who offer support for at-risk children and youth and their families across Virginia.

Invite your family and friends! All are welcome! RSVP on FaceBook: https://www.facebook.com/events/430336440960754/

Mill Mountain Theatre has begun rehearsals for their upcoming holiday show: The Sound of Music, running December  4th – 22nd on the Trinkle MainStage. The cast is led by Roanoke’s own Emma Gwin (Maria), Broadway’s Timothy Booth* (Captain Georg von Trapp), and Mary Grace Gordon* (Mother Abbess).

 

The hills are alive in the Roanoke Valley this holiday season with the classic musical, The Sound Of Music! Best known for its film adaptation starring Julie Andrews, this 1959 classic such songs as “Climb Ev’ry Mountain”, “Do-Re-Mi”, and “The Sound of Music.” This show is perfect for the whole family to see during the holidays. 

 

Share this heartwarming story with a cast that mixes national talent with your local favorites in Roanoke’s most beloved musical: The Sound of Music.

 

Also featuring Tess Olivia Marshall (Elsa), Phillip John Freebourn (Max), Kayla Ryan Walsh (Sister Berthe), Emma Lou DeLaney (Sister Margaretta), Billie Aken-Tyers (Sister Sophia), Ellen Frary (Liesel- Von), Haley Lynch (Liesel- Trapp), Oliver Farber (Friedrich- Von), James Moledor (Friedrich- Trapp), Taylor Berenbaum (Louisa- Von), Caroline Moledor (Louisa- Trapp), Hannah Conner (Brigitta- Von), Sylvia MacNab (Brigitta- Trapp), Beckett Socha (Kurt- Von), Griffin Shaver (Kurt- Trapp), Haley Morris (Marta-Von), Emma Lou Harvey (Marta- Trapp), Natalie Thorell (Gretl- Von), Riley Whisnant (Gretl- Trapp), Cody Edwards (Rolf), Devin Altizer (Franz), MaryJean Redon Levin (Frau Schmidt), Patrick Kennerly (Herr Zeller), Pat LoRicco (Baron Elberfeld), Jeffrey McGullion (Admiral Von Schreiber), Caroline Weston (Nun/Party Guest), Cindy Blevins (Baroness Elberfeld / Nun), Ashlinn Blevins (Maid/Nun), Emma Sala (Ursula/Nun), and Jackie Peale (Frau Zeller/Nun).

The Sound of Music is Directed by Ginger Poole and Christopher Castanho, with Music Direction by Seth Davis, Scenic Design by Jimmy Ray Ward, Costume Design by Jennie Ruhland, Lighting Design by Bill Webb, Props Design by Matt Shields, Sound Consultation by Ayme Gierchak, and Technical Direction by Karen Gierchak.

 

Sponsors for The Sound of Music include:  Avis Construction Co.; Better Sofas, Inc; BJ Preas; Boxley; Brooks Financial Group; Business Solutions, Inc.; B2C Enterprises; Claytor/Wirt Associates; The Convergence Group at Morgan Stanley Wealth Management; Dixon, Hubard, Feinour & Brown, Inc.; Freedom First Credit Union; Frith Anderson + Peake; Gentry Locke Attorneys; Jewell Machinery; Lanford Brothers Co.; Lunsford, a Trustpoint Company; Member One Federal Credit Union; Miller, Long & Associates, Inc. and Mr. and Mrs. Samuel B. Long; Oakey’s Funeral Service and Crematory; Pinnacle Financial Partners; Roanoke Animal Hospital; Roanoke Gas Company; Roanoke Valley Orthodontics; Rutherfoord, A Marsh & McLennan Agency; Skyline National Bank; Steel Dynamics; Sun Tan City; and Trane. 

 

Grantors include Actors Equity Association, Blue Star Theatres, Center in the Square, National Endowment for the Arts, Theatre Communications Group, Virginia Commission for the Arts, and WVTF Radio.

 

Celebrate the holiday season this year with tickets to The Sound Of Music, running December 

4th – 22nd on the Trinkle MainStage. Tickets can be purchased online at millmountain.org or by calling 540-342-5740.